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The Board

Chairman: Raymond Ackerman Trustees: Freya Griffiths, Michael Sizani, Melanie Stark

The Staff

Andrew Warth
Andrew trained at the Legat School of Russian Ballet in Tunbridge Wells, England. His first engagement as a professional dancer was with the Essener Ballet in Germany and later with the German Opera on the Rhein in Düsseldorf, under the direction of former Bejart principal dancer Paolo Bortoluzzi.

Andrew Warth

Andrew worked with some of the classical dance world's best-known choreographers. These include Hans van Manen, Uwe Scholtz, Peter Breuer, Heinz Spoerli and Tom Schilling. In 1990 he moved to Cape Town where he danced for CAPAB Ballet, then directed by Veronica Paeper, which became Cape Town City Ballet under Elizabeth Triegaardt.

In 1998 and 1999, he toured South Africa twice with the smash-hit musical, Queen at the Opera, and was cast as Phaedra, the lead Cagelle, in Janice Honeymoon's production of La Cage aux Folles at The Civic Theatre, Johannesburg.

Following a tour to Taiwan with the Durban-based Fantastic Flying Fish Dance Company, Andrew returned to Cape Town and successfully graduated from the UCT School of Dance with a dance teacher's diploma and as a Royal Academy of Dance (RAD) registered teacher. He then rejoined Cape Town City Ballet as part of the small management team where he took charge of the company’s public relations.

In 2003 Andrew took himself and Cape Town City Ballet into the Guinness Book of World Records with the Largest Ballet Class in the World. Five years later, he beat his own record of 530 professional and student dancers with the current record of 989 dancers.
Andrew served as ballet master at Debbie Turner's Cape Academy of Performing Arts from 2002 and taught ballet at the UCT School of Dance. He began teaching ballet at Zama Dance School in 2009, and on Arlene’s retirement at the end of 2011, was promoted to director.

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Leanne Voysey
Classical ballet, stretch and body conditioning teacher
Leanne’s training began at the Anna Nel Studio in Johannesburg. She studied for four years at the Johannesburg Art School before graduating with a Performer’s Certificate in Dance at the UCT School of Dance, Cape Town. After a highly successful career as principal dancer with Cape Town City Ballet, with roles such as Odette/Odile in Swan Lake, the title role in Giselle and the Sugar Plum Fairy in The Nutcracker, Leanne qualified as a hatha yoga instructor and an Equilibrium Pilates Mat 1 instructor. She also took the Lifeline counselling skills course as well as the UNISA HIV/AIDS care and counselling course. Leanne is well versed at teaching adult open classes and worked as guest producer for Dianne Cheesman’s Cape Junior Ballet.

Leanne Voysey

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Mamela Nyamza
Contemporary dance teacher and choreographer
Mamela is an award-winning dancer from Gugulethu near Cape Town. At the age of eight, her grandmother enrolled her at Zama Dance School to keep her "off the streets and out of trouble".

In 1997, she completed a national diploma in dance at the then Pretoria Technikon. The following year, she received a one-year international scholarship to attend the Alvin Ailey Dance School in New York.

In 1997, at the age of 20, Mamela was the first South African woman to receive a scholarship for Alvin Ailey American Dance Theatre in New York. "Without the training in strength and technique I learned from Arlene, I don't think I would have been chosen for Alvin Ailey," she says.

Mamela then joined the dance company at the Pretoria State Theatre.

Mamela Nyamza

Career highlights also include dancing the lead role in Richard Loring's African Footprint; performing with The Lion King in The Netherlands; receiving a scholarship to attend the Vienna International Dance Festival; winning the FNB Vita Award for The Dying Swan at Dance Indaba, and being selected as the South African representative for the Superstars of Dance television show in the US. She made it to the semi-final round.

On her return to Cape Town, Mamela taught at Zama Dance School for six months, where she also choreographed two pieces for the school, and has taught and choreographed for various dance companies in the area.

She coordinates a project under MOVE 1524 for the University of Stellenbosch, which addresses social issues such as HIV/Aids, domestic violence and drugs.

Mamela has toured a self-choreographed solo piece, Hatch, to the Netherlands, Mexico and around South Africa. Choreographic commissions include Kutheni for the FNB Dance Umbrella and Mendi for the Baxter Dance Festival.

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Vuyokazi Rubuxa
It's not only the children who come to regard Zama Dance School as their home away from home. Vuyokazi (Vuyo) Rubuxa, secretary at the school since 1999, feels the same way.

"The school is open Monday to Friday but when we have Saturday rehearsals, performances or visitors to the school, I'm always there to host them," she says.

She had completed a one-year administration course at the Skills Training for Employment Centre in Salt River, near Cape Town, when "Miss Arlene" arrived looking for somebody to work at the school. Vuyo was selected and began fulfilling basic secretarial duties at the school. Arlene coached her on writing and communication skills and Vuyo is now able to correspond with parents and visitors to the school, help organise functions, arrange transport to events and attend meetings.

She says she loves working with the children and talking to their parents.

Vuyokazi Rubuxa

"I also accompany the children to events. I'm their dresser and child minder and I make sure they all return home safely afterwards," says Vuyo.

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Peter Johnson

Peter Johnson – Senior Tap Teacher
Peter obtained his musical theatre diploma at Cape Academy of Performing Arts in 2009. He has been tapping since the age of nine and has appeared in many professional productions choreographed and directed by Paul Johnson and Debbie Turner. He is currently a freelance performing artist and accomplished musician and composer. He teaches the senior tap class at Zama.

Sam Snow – Junior Tap Teacher
Sam has been tap dancing since she was five years old. She has taken part in many professional tap shows over the years, choreographed and directed by Paul Johnson from Rhythmworks. These include Tap Crazy as well as numerous private and corporate functions. She is currently studying for a BSc Sports Science and teaches the junior tap class at Zama.

Sam Snow

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Arlene Westergaard
Since Arlene Westergaard chose to follow her dream of teaching ballet to African children, she has paved the way for some illustrious careers in dance, choreography and musical theatre.

From the age of three, Arlene studied most forms of dance from classical to Eastern and jazz dance. After school, she settled down to earn a "sensible" living working in a bank and then as a typist for the railway company. "I was neither banking nor typist material. All I wanted to do was dance," she says.

In 1984, Arlene gave up teaching at a jazz dance centre in Cape Town to teach six children in a church hall in Gugulethu. To survive financially, she sold her house in the southern suburbs, invested the money and lived off the interest.

Arlene says she had always wanted to work with underprivileged children but had to overcome the stereotypical fear of working in the townships. "I drive through Gugulethu and people throw kisses, not stones. It's home to me now."

Arlene Westergaard

She prefers to keep a low profile and treats the school "as a sincere, serious and credible contribution towards the cultural development in this country."

Sheer guts, determination and a refusal to accept anything less than the best for her young protégés has paid off. Zama Dance School moved into custom-made premises in Gugulethu in 1999 where about 80 children per year have enjoyed the benefits of this internationally recognised training institution. Although new to the concept of contemporary and classical dancing, the natural rhythm and exceptional talent of these pupils made them rapid learners.

"Children spend hours in the studio — they consider it their sanctuary," said the late John Simons, former Capab Ballet dancer and part-time teacher at Zama.

Countrywide civil unrest in the 1980s disrupted classes but teargas, pangas, rubber bullets and burning barricades could not keep Arlene and her students apart. "On the days that I could not get into the township, the children would come to Claremont and we would practise for their exams in a private corner of Claremont Park. I think it was during this time that the people of the area and the students realised I was dedicated to teaching them seriously with a view to their future and was not 'just another whitey' out there for quick fame and a fast buck."

"I wanted to start a ballet company for black people to give them the opportunity to develop their natural talent."

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